Haven't we all at some point in time fantasized about stepping through a cinema/TV screen and into the world of our favourite movies and television shows? I certainly have!

With its modern, urban setting and stunning harbour, it is easy to see why Sydney leads the way as an ideal and versatile shooting destination. Movies shot here have been set in New York (Godzilla: Final Wars, Kangaroo Jack), Chicago (The Matrix and sequels), London (Birthday Girl), Seville (Mission Impossible 2), Bombay (Holy Smoke), Darwin (Australia), Myanmar (Stealth), Mars (Red Planet) and the fictitious city of Metropolis (Superman Returns, Babe: Pig in the City).

Whether popular landmarks or off the beaten track locations that are often hard to find, you can now explore Sydney in a fun and unique way with the SYDNEY ON SCREEN walking guides. Catering to Sydneysiders as much as visitors, the guides have something to offer everyone, from history, architecture and movie buffs to nature lovers.

See where productions such as Superman Returns, The Matrix and sequels, X-Men Origins: Wolverine, Candy, Mission Impossible 2, Mao's Last Dancer, Babe: Pig in the City, Kangaroo Jack, The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, The Bold and the Beautiful, Oprah's Ultimate Australian Adventure and many more were filmed.

Maps and up-to-date information on Sydney's attractions are provided to help you plan your walk. Pick and choose from the suggested itinerary to see as little or as much of the city as you like.

So, come and discover the landscapes and locations that draw filmmakers to magical Sydney, and walk in the footsteps of the stars!

A GREAT ALTERNATIVE TO EXPENSIVE TOURS, YOU CAN NOW ENJOY EXPLORING SYDNEY FOR UNDER $10 WITH THE SYDNEY ON SCREEN WALKING GUIDES. FOR MORE INFORMATION, CONTACT US AT SYDNEYONSCREEN@HOTMAIL.COM

Subscribe to the blog and keep up with all the latest Aussie film and entertainment news. Read about what the stars are up to, who's in town, what movies are currently filming or being promoted. Locate us on Facebook at www.facebook.com/sydneyonscreen and "like" our page!

Sydney on Screen walking guides now on sale!

Click on the picture above to see a preview of all four walking guides and on the picture below to see larger stills of Sydney movie and television locations featured in the slideshow!

Copyright © 2011 by Luke Brighty / Unless otherwise specified, all photographs on this blog copyright © 2011 by Luke Brighty


Sydney on Screen guides are now available for purchase at the following outlets:

Travel Concierge, Sydney International Airport, Terminal 1 Arrivals Hall (between gates A/B and C/D), Mascot - Ph: 1300 40 20 60

The Museum of Sydney shop, corner of Bridge & Phillip Streets, Sydney - Ph: (02) 9251 4678

The Justice & Police Museum shop, corner of Albert & Phillip Streets, Sydney - Ph: (02) 9252 1144

The Mint shop, 10 Macquarie Street, Sydney - Ph: (02) 8239 2416

Hyde Park Barracks shop, Queen Square, Sydney - Ph: (02) 8239 2311

Travel Up! (travel counter) c/o Wake Up Sydney Central, 509 Pitt Street, Sydney - Ph (02) 9288 7888

The Shangri-La Hotel (concierge desk), 176 Cumberland Street, The Rocks, Sydney - Ph: (02) 9250 6018

The Sebel Pier One (concierge desk), 11 Hickson Road, Walsh Bay, Sydney - Ph: (02) 8298 9901

The Radisson Plaza Hotel Sydney (concierge desk), 27 O'Connell Street, Sydney - Ph: (02) 8214 0000

The Sydney Marriott Circular Quay (concierge desk), 30 Pitt Street, Sydney - Ph: (02) 9259 7000

Boobook on Owen, 1/68 Owen Street, Huskisson - Ph: (02) 4441 8585


NSW, interstate and international customers can order copies of Sydney on Screen using PayPal. Contact us at sydneyonscreen@hotmail.com to inquire about cost and shipping fees.


All four volumes of Sydney on Screen are available to download onto your PC or Kindle at:
Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de, Amazon.es and Amazon.it


Sigrid Thornton's National Film & Sound Archive's Longford Lyell lecture says film and television needs tax breaks

The Daily Telegraph reports
AUSTRALIAN film and television productions need continued tax breaks or the industry faces being eroded and its talent diluted, actress Sigrid Thornton said.
Delivering the National Film & Sound Archive’s Longford Lyell lecture in Melbourne last night, Thornton reflected on her decades-long career in the industry both here and overseas.
A bipartisan commitment to subsidise the industry for cultural reasons had underpinned and sustained it over the years.
"Without them we would not have survived as an industry, albeit we are small industry,'' Thornton told AAP ahead of the lecture.
"By virtue of our population, we cannot expect to survive as an industry without government assistance and support.''
A regulatory quota framework for television provided the continuity of production, Thornton said.
"The cultural argument that we need to tell our stories using Australian voices has been the historical basis for government investment in our industry,'' she said in the lecture.
"It also seems to speak to a widespread public hunger.''
A refundable tax offset for producers of Australian projects had proved a very positive mechanism and should be safeguarded, Thornton said.
"Industry and government need to be vigilant and exercise care in defining the elements that are to constitute an Australian film for the offset rebate,'' she said.
"The push to dilute and erode Australian cast and Australian writer involvement in eligible projects could undermine the integrity and the legitimacy of productions.''
Increased quotas of local programs for the ABC, SBS and subscription television could also be considered.
"I believe we also need to consider the potential value of ramping up production to produce more stories on lower budgets, using the same funding pool and mechanisms,'' she said.
Increased production would mean more opportunities to tell more stories and the chance to "develop our skills as a filmmaking community''.
Thornton said while there were many who disagreed with her, Australia should probably take the hit and make more films on lower budgets to allow industry growth.
"On a historical basis, it's reasonably clear the size of the budget has not determined the likelihood of those breaking through - both on the global and international market - in terms of market success,'' she told AAP.
"My argument would be to support and underpin the growth of the industry, it would be a favourable outcome if we were to have a stronger output.''
Overseas success of local productions was an added bonus to communicate the uniqueness of Australia.
But populating the Australian landscape with imported actors or repackaged overseas content using taxpayer funding should be resisted, Thornton said.
"Actual market returns don't bear much scrutiny, but Australian taxpayers are prepared to underwrite the production of Australian stories in order to see their characters reflected on their screens.
"It would be all too easy to be distracted and flattered while a larger and stronger culture increasingly weakens a smaller and less robust one.''

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