Haven't we all at some point in time fantasized about stepping through a cinema/TV screen and into the world of our favourite movies and television shows? I certainly have!

With its modern, urban setting and stunning harbour, it is easy to see why Sydney leads the way as an ideal and versatile shooting destination. Movies shot here have been set in New York (Godzilla: Final Wars, Kangaroo Jack), Chicago (The Matrix and sequels), London (Birthday Girl), Seville (Mission Impossible 2), Bombay (Holy Smoke), Darwin (Australia), Myanmar (Stealth), Mars (Red Planet) and the fictitious city of Metropolis (Superman Returns, Babe: Pig in the City).

Whether popular landmarks or off the beaten track locations that are often hard to find, you can now explore Sydney in a fun and unique way with the SYDNEY ON SCREEN walking guides. Catering to Sydneysiders as much as visitors, the guides have something to offer everyone, from history, architecture and movie buffs to nature lovers.

See where productions such as Superman Returns, The Matrix and sequels, X-Men Origins: Wolverine, Candy, Mission Impossible 2, Mao's Last Dancer, Babe: Pig in the City, Kangaroo Jack, The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, The Bold and the Beautiful, Oprah's Ultimate Australian Adventure and many more were filmed.

Maps and up-to-date information on Sydney's attractions are provided to help you plan your walk. Pick and choose from the suggested itinerary to see as little or as much of the city as you like.

So, come and discover the landscapes and locations that draw filmmakers to magical Sydney, and walk in the footsteps of the stars!

A GREAT ALTERNATIVE TO EXPENSIVE TOURS, YOU CAN NOW ENJOY EXPLORING SYDNEY FOR UNDER $10 WITH THE SYDNEY ON SCREEN WALKING GUIDES. FOR MORE INFORMATION, CONTACT US AT SYDNEYONSCREEN@HOTMAIL.COM

Subscribe to the blog and keep up with all the latest Aussie film and entertainment news. Read about what the stars are up to, who's in town, what movies are currently filming or being promoted. Locate us on Facebook at www.facebook.com/sydneyonscreen and "like" our page!

Sydney on Screen walking guides now on sale!

Click on the picture above to see a preview of all four walking guides and on the picture below to see larger stills of Sydney movie and television locations featured in the slideshow!

Copyright © 2011 by Luke Brighty / Unless otherwise specified, all photographs on this blog copyright © 2011 by Luke Brighty


Sydney on Screen guides are now available for purchase at the following outlets:

Travel Concierge, Sydney International Airport, Terminal 1 Arrivals Hall (between gates A/B and C/D), Mascot - Ph: 1300 40 20 60

The Museum of Sydney shop, corner of Bridge & Phillip Streets, Sydney - Ph: (02) 9251 4678

The Justice & Police Museum shop, corner of Albert & Phillip Streets, Sydney - Ph: (02) 9252 1144

The Mint shop, 10 Macquarie Street, Sydney - Ph: (02) 8239 2416

Hyde Park Barracks shop, Queen Square, Sydney - Ph: (02) 8239 2311

Travel Up! (travel counter) c/o Wake Up Sydney Central, 509 Pitt Street, Sydney - Ph (02) 9288 7888

The Shangri-La Hotel (concierge desk), 176 Cumberland Street, The Rocks, Sydney - Ph: (02) 9250 6018

The Sebel Pier One (concierge desk), 11 Hickson Road, Walsh Bay, Sydney - Ph: (02) 8298 9901

The Radisson Plaza Hotel Sydney (concierge desk), 27 O'Connell Street, Sydney - Ph: (02) 8214 0000

The Sydney Marriott Circular Quay (concierge desk), 30 Pitt Street, Sydney - Ph: (02) 9259 7000

Boobook on Owen, 1/68 Owen Street, Huskisson - Ph: (02) 4441 8585


NSW, interstate and international customers can order copies of Sydney on Screen using PayPal. Contact us at sydneyonscreen@hotmail.com to inquire about cost and shipping fees.


All four volumes of Sydney on Screen are available to download onto your PC or Kindle at:
Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de, Amazon.es and Amazon.it


Punch drunk success

Story by Giles Hardie, The Age

Ten years ago Joel Edgerton thought his career was about to explode. Now, success has finally arrived, partly against doctor's orders.
“You take a few punches in the head, but that was kind of fun.”
Joel Edgerton is talking about his time shooting the numerous fight scenes for Warrior, in which he plays an out-of-retirement Mixed Martial Arts cage fighter whose never say die attitude leads to many, many poundings in every one of his fights. He could just as easily have been describing his career.
Edgerton had already shot Warrior when he last toured Australia for a press tour, a little over a year ago, for Waiting City a critically acclaimed, but relatively low profile Australian film. At the time, he knew everything was about to explode for him career-wise, he just couldn’t tell anyone.
“Work was starting to roll along,” he recalls, “I’m pretty guarded about it all.”
Edgerton was hesitant to celebrate, having had false starts before.
“I’ve had times in my life where I’d worked on a few things and I thought it was going to push things to a different level and it just didn’t.”
Almost a decade ago, Edgerton was shooting at Fox Studios with George Lucas on the second (and later the third) Star Wars prequel, in the role of Luke Skywalker’s Uncle Owen. A role in King Arthur followed, yet the momentum never quite swept him up. Now, with two Hollywood films releasing this month alone (he can also be seen in The Thing), and Edgerton back at Fox Studios to shooting on The Great Gatsby in the major role of Tom Buchanan, that momentum has well and truly kicked in.
Still Joel is modest about his new star status. “At the moment, I feel like things have shifted only because I get asked to jobs a lot more than I used to. I get asked to do jobs without having to audition for them.”
“Things have definitely changed. I feel like the doors have opened wider and I can choose between things.”
That false start ten years ago, those punches to the head, have actually prepared Edgerton for the new, spectacular success.
“I felt like it would feel different,” he admits. “It doesn’t feel any different, but I do. When I look at the circumstances surrounding it, I’m very thankful of it, and I realise that I’m swimming around exactly where I wanted to be ten years ago and I’ve got those opportunities now.”
There has been at least one advantage to not being a “movie star” until now, and that is his role in Warrior, for which he’s receiving significant awards buzz. Basically, if Joel had been a star, he might not have wanted it, and director Gavin O’Connor certainly wouldn’t have wanted him.
Warrior, at that point an unkown script about cage fighting “wasn’t high on the list to do for other actors,” Joel explains. That suited O’Connor, according to Joel “he wanted two actors who didn’t have a lot of movie star baggage.”
The other actor without baggage is Tom Hardy, another whose career has skyrocketed since shooting Warrior.
Not only did O’Connor need two actors without baggage though, he needed two with a fairly clear calendar. Edgerton says of the casting rationale, “he wanted two guys, and he founded Tom and I, and he needed us to get there a couple of months early, and train hard, and start to kind of look like we belonged in the cage.”
Edgerton, playing the former MMA figher Brendan Conlon, certainly looks like he belongs - as the poster and trailer attest - yet Hardy as his brother Tommy looks like a veritable man mountain.
Edgerton got along very well with Hardy, but envied his bulk.
“I was about as big as I could get with the amount of food I was shoving in to me, and the weight I was losing,” he recalls. “I wasn’t going to get any bigger.”
“And he (Hardy) just looks huge.”
Edgerton also envied Hardy’s shooting schedule as the big hitting Tommy, whose fights tend to be over in a matter of seconds.
“Tom, he’d walk in and do a fight and it would take a day to shoot,” Joel explains. “I would take a week, two weeks to shoot just one fight.”
“I literally am a punching bag to some of the best fighters in the AMC.”
Some of those punches landed, and even if he thought it was fun, Edgerton’s character’s pain endurance wasn’t all acting.
“I was actually advised by a doctor here in Sydney that it probably wouldn’t be a good idea to do the movie.
“But I wasn’t going to let that stop me. I’m not smart enough to take advice like that.”

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