Haven't we all at some point in time fantasized about stepping through a cinema/TV screen and into the world of our favourite movies and television shows? I certainly have!

With its modern, urban setting and stunning harbour, it is easy to see why Sydney leads the way as an ideal and versatile shooting destination. Movies shot here have been set in New York (Godzilla: Final Wars, Kangaroo Jack), Chicago (The Matrix and sequels), London (Birthday Girl), Seville (Mission Impossible 2), Bombay (Holy Smoke), Darwin (Australia), Myanmar (Stealth), Mars (Red Planet) and the fictitious city of Metropolis (Superman Returns, Babe: Pig in the City).

Whether popular landmarks or off the beaten track locations that are often hard to find, you can now explore Sydney in a fun and unique way with the SYDNEY ON SCREEN walking guides. Catering to Sydneysiders as much as visitors, the guides have something to offer everyone, from history, architecture and movie buffs to nature lovers.

See where productions such as Superman Returns, The Matrix and sequels, X-Men Origins: Wolverine, Candy, Mission Impossible 2, Mao's Last Dancer, Babe: Pig in the City, Kangaroo Jack, The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, The Bold and the Beautiful, Oprah's Ultimate Australian Adventure and many more were filmed.

Maps and up-to-date information on Sydney's attractions are provided to help you plan your walk. Pick and choose from the suggested itinerary to see as little or as much of the city as you like.

So, come and discover the landscapes and locations that draw filmmakers to magical Sydney, and walk in the footsteps of the stars!

A GREAT ALTERNATIVE TO EXPENSIVE TOURS, YOU CAN NOW ENJOY EXPLORING SYDNEY FOR UNDER $10 WITH THE SYDNEY ON SCREEN WALKING GUIDES. FOR MORE INFORMATION, CONTACT US AT SYDNEYONSCREEN@HOTMAIL.COM

Subscribe to the blog and keep up with all the latest Aussie film and entertainment news. Read about what the stars are up to, who's in town, what movies are currently filming or being promoted. Locate us on Facebook at www.facebook.com/sydneyonscreen and "like" our page!

Sydney on Screen walking guides now on sale!

Click on the picture above to see a preview of all four walking guides and on the picture below to see larger stills of Sydney movie and television locations featured in the slideshow!

Copyright © 2011 by Luke Brighty / Unless otherwise specified, all photographs on this blog copyright © 2011 by Luke Brighty


Sydney on Screen guides are now available for purchase at the following outlets:

Travel Concierge, Sydney International Airport, Terminal 1 Arrivals Hall (between gates A/B and C/D), Mascot - Ph: 1300 40 20 60

The Museum of Sydney shop, corner of Bridge & Phillip Streets, Sydney - Ph: (02) 9251 4678

The Justice & Police Museum shop, corner of Albert & Phillip Streets, Sydney - Ph: (02) 9252 1144

The Mint shop, 10 Macquarie Street, Sydney - Ph: (02) 8239 2416

Hyde Park Barracks shop, Queen Square, Sydney - Ph: (02) 8239 2311

Travel Up! (travel counter) c/o Wake Up Sydney Central, 509 Pitt Street, Sydney - Ph (02) 9288 7888

The Shangri-La Hotel (concierge desk), 176 Cumberland Street, The Rocks, Sydney - Ph: (02) 9250 6018

The Sebel Pier One (concierge desk), 11 Hickson Road, Walsh Bay, Sydney - Ph: (02) 8298 9901

The Radisson Plaza Hotel Sydney (concierge desk), 27 O'Connell Street, Sydney - Ph: (02) 8214 0000

The Sydney Marriott Circular Quay (concierge desk), 30 Pitt Street, Sydney - Ph: (02) 9259 7000

Boobook on Owen, 1/68 Owen Street, Huskisson - Ph: (02) 4441 8585


NSW, interstate and international customers can order copies of Sydney on Screen using PayPal. Contact us at sydneyonscreen@hotmail.com to inquire about cost and shipping fees.


All four volumes of Sydney on Screen are available to download onto your PC or Kindle at:
Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de, Amazon.es and Amazon.it


The family guy shows real steel

Great story about Aussie Hugh Jackman by Neala Johnson

HUGH Jackman is rightly known as the nicest bloke in show business. But his kids, well, they're the gatekeepers from hell.

With his wife Deborra-Lee Furness, Jackman had formulated a plan whereby, if a fan asked for a picture while he was out with his children Oscar and Ava, Jackman could shut it down but keep it nice.

"Deb and I came up with this thing where I'd say, 'Look, I'm with my family, I'd prefer not to right now, but nice to meet you' - showing the kids that I can still be polite, but I wanted them to get the message that they were my priority.

"But after about a year and half, Oscar said to me, 'Dad, why can't you just be nice? All they want is a photo. I mean, really'. I said, 'Are you OK with that?' He said, 'Yeah, today I am'. I said, 'OK, so from now on I'll ask you'.

"They really love that power," Jackman laughs, "so I just leave it up to them. My son usually, particularly if it's a young girl, will like it. But my daughter's quite often like, 'No!' And I can see she's just loving having the power."

Of course, this leaves Jackman looking like the good guy, as in: "My, that Hugh Jackman is a nice bloke ... "

"But his kids!" Jackman hollers, falling into laughter.

The Sydney-raised actor, who turns 43 this month, seems happy to let his kids do the dirty work. If he's got a reputation as being nice, that's just because he's "ultimately not that different from a lot of people that interview me".

But he knows that nice is not necessarily cool or helpful as far as an actor's career.

"For actors, the word 'nice' is something to be wary of. It sounds pretty tepid and a little bit uninteresting, and that may be the case! Maybe journalists go back and go, 'How am I going to describe him? Quixotic, no. Enigmatic, not really. I suppose, nice!' The lowest common denominator."

Some people play on that fact - the character Doctor Cox in TV sitcom Scrubs always sounded off about his intense hatred for Jackman.
Jackman, as you'd expect, is not at all miffed.

"No! I think it's hilarious! I don't blame 'em," he says.

"Someone forwarded me that link where he does the long monologue of all the things he hates: ' ... and Hugh Jackman!' But my son came home to me and said, 'Do you know this show Scrubs?' I said, 'Yeah, I've heard of it'. 'Well, you've gotta say something to them 'cos I'm so mad!' He actually had a tear in his eye - he really couldn't distinguish why this person was so mean to me.

"I was secretly quite touched that he was being all defensive for me. It was kind of making me laugh. I should sooo have done a cameo on that show."

If he does have any nasty inside him, Jackman gets it out on film. Wolverine is famously gruff and in his new film, the family-friendly action flick Real Steel, Jackman's character is often quite unlikeable.

That was a big part of the appeal in what initially seemed like quite a silly idea for a film: washed-up boxer trains, erm, robot boxer to fight.

"I didn't hold out high hopes when I was reading the script," Jackman admits.

"Look, Steven Spielberg was attached and I knew there was going to be something there, but my gut feeling was, 'Hmmmm'.

"But at the front end of scripts they go into quite a lot of detail to explain to non-imaginative readers what characters are like, and reading that I was already like, 'This is interesting ... it's a DreamWorks movie, distributed by Disney, it's a father-son story and I'm trying to sell my son in the first 10 minutes. OK, this is not what I was expecting!'

"My wife saw it the other night, she elbowed me and goes, 'You made me cry in a robot movie'. It's good to be exceeding people's expectations, 'cos let's face it, it doesn't happen very often in the land of hype."

Making robot movies fly when they really shouldn't is the least of Jackman's endless talents.

After promoting the film in Australia last week, he headed back to New York to debut his one-man show on Broadway. In the new year he will take the singing and dancing to the UK - where he will join Russell Crowe and The King's Speech director Tom Hooper in making a movie version of famed musical Les Miserables.

After that, it will be time to bulk up and don the mutton-chops again for another turn as everybody's favourite super-mutant, Wolverine.

Few actors can get away with that kind of diversity without being ridiculed or damned to low-budget indie-ville.

"Well, I don't think Wolverine ever would have happened unless it was the first thing I did," Jackman muses.

"I would say 70 per cent of people on the planet know me for that only. I can't imagine if you became big as Peter Allen that you were gonna get cast as Wolverine next. So the order of things helped.

"But as you know here (in Australia), there is no luxury of being a movie star. We don't really have a star system, there is no living to be made in film, and you really need to be able to do other things. When you graduate from drama school, you just go for everything. That's why I went for a musical.

"And by the way, I snuck into that musical - it's funny how it's been remembered differently, but I was, I think, the only actor in history in a professional musical to have it in his contract that he must have singing lessons once a week," he laughs.

Jackman's musical side is especially advantageous these days, with the movie musical back in vogue. On that front, Les Miserables is his dream project - in fact, production on The Wolverine was shunted back to make room for it.

"I chased that thing," he says, furrowing his brow.

"I was offered the part in Chicago 10 years ago - I was 31 and I thought at the time, 'I'm just too young, I wanna play Billy Flynn, but how can I say, I've seen it all, kid - it's my second movie!'

"Then I saw the movie and I was like, 'I so should have put some make-up on'. It was so great, my palms were sweating and I was like, 'Oh my God, please don't let that be the only one I'm offered'. So when this one came up, I really chased it.

"Musicals have been around, but I s'pose this one really excites me with Tom and Russell and, of course, it's Les Mis, it's one of the greatest musicals of all time."

After doing some reading of Victor Hugo's original Les Miserables novel, he reckons the leap from playing Jean Valjean in the musical back to being Wolverine will be easy.

"They talk about his qualities, all the animalistic ... that could have been Wolverine! It's just Wolverine doesn't sing ... "

In between jobs, Jackman will continue to ensure Oscar, 11, and Ava, 6, know they're his No. 1 priority - even when the celebrity spotlight is shining its brightest.

"I try and remind them what I remind myself of - life is full of weird and wonderful, crazy, sometimes annoying experiences, that's part of the deal here," he says.

The things that really matter stay forever, so they're the things to focus on. The other things, even times when you feel down, they pass, you know. The things that matter are love and family and friendship.

"Those photographers are here today because they're interested in my movie, but there'll come a time when they're not and that's OK.

"I'm always your dad, we're always together, sometimes it can be frustrating, but that's what matters.

"It's the best way I've come up with yet."

The Star casino takes a gamble on Leonardo DiCaprio

Story from The Daily Telegraph

Fresh from reports he is dating Sydney model Alyce Crawford, The Daily Telegraph hears that Leonardo DiCaprio has another reason to cheer up - he has been given an entire floor at The Star to live in during his four-month stay. 

Holed up there since he moved out of his Vaucluse home last month because of privacy issues, casino spies have revealed that Echo Entertainment boss Larry Mullin was so keen to get DiCaprio under their roof that an entire floor was transformed into a luxury super-suite.

"Mountains were moved," said a spy at The Star, who says the actor has a private entrance to his Astral Tower pad to evade the paparazzi.

"The entire thing was refurbished and rebuilt from scratch. It cost a fortune but the directive was 'spare no expense'." 

Asked about the plush digs, a Tabcorp rep yesterday said: "No comment." 

However, it seems it isn't enough to break DiCaprio out of his Sydney funk, with a spy at The Star revealing he remains aloof with fans and casino workers. 

"He was spotted in (new restaurant) Black By Ezard and kept his cap on and head down and didn't engage with anyone. And a few nights later Hugh Jackman was in there and couldn't have been nicer," said the insider. 

"He was chatting to staff and taking pictures and having a great time. It was interesting to see the difference." 

Meanwhile, as reports now link his ex-girlfriend Blake Lively to fellow star  Ryan Reynolds, it seems DiCaprio's former long-term flame Bar Refaeli has also moved on, with the model photographed in an embrace with Pierre Sarkozy, 25, the son of French President Nicolas Sarkozy, at the Paris nightclub Rasputin.

Harry Potter: The Exhibition at the Powerhouse Museum


From the Powerhouse Museum website:
The first and only Australian stop of Harry Potter™:The Exhibition will open at the Powerhouse Museum on 19 November 2011, offering fans a first-hand look inside the famous wizard’s magical world and the opportunity to experience the amazing craftsmanship that went into creating the iconic props and costumes that have appeared throughout the Harry Potter film series.
Hundreds of authentic film artefacts will be displayed in settings inspired by locations from Hogwarts™ School of Witchcraft and Wizardry, including the Gryffindor™ common room, Hagrid’s hut, the Great Hall and many more. New original props and costumes from Harry Potter and the Deathly Hallows™ – Part 1 and the series finale, Harry Potter and the Deathly Hallows™ – Part 2, will also be on exhibit.
For more information, call the museum on (02) 9217 0111

A Few Best Men - Stephan Elliott's new movie hits the screens in 2012


From the writer and producers of Death at a Funeral and the director of The Adventures of Priscilla, Queen of the Desert comes this hilarious new comedy, A Few Best Men. The movie starring Aussies Olivia Newton-John and Rebel Wilson premieres in Sydney on Australia Day (26 January 2012).

See YouTube for more trailers

Picture of the Month - October

Bare Island – Mission Impossible 2

Paradise Lost to film in Sydney with Bradley Cooper and Alex Proyas

Story by Nick Goundry
A big-budget version of Paradise Lost is coming to Fox Studios in Sydney and could rejuvenate Australia’s global appeal. Major international projects have been scarce in the country recently, with local producers largely blaming the Aussie dollar, so this is terrific news for the national industry.
Paradise Lost is expected to feed nearly AUD90 million into the local economy and create 1,300 jobs in New South Wales (NSW). There’s also the additional benefit of the involvement of rising Hollywood superstar Bradley Cooper and high-profile director Alex Proyas.
Andrew Stoner, acting NSW Premier and Minister for Trade and Investment, said: “To filmmakers and producers around the world, I say NSW is open for business once more – we are determined to make NSW number one again. Paradise Lost will see the next generation of post-Avatar motion capture work undertaken right here in Sydney.”
Proyas commented: “I’m delighted to have found such overwhelming support here in NSW for such a unique film offering unparalleled exposure for NSW cast and crew to the cutting-edge technology that will be used in the making of Paradise Lost.”
The film’s schedule includes 72 weeks of post-production, which will use Australia's generous 30% post incentive scheme. Details haven’t been released of exactly what benefits the film will receive, although part of the deal involves having effects company Digital Domain setting up a base in Sydney.
Terra Nova, which has Steven Spielberg onboard as a producer, committed to a season-long shoot in Queensland, but it’s the only other major international production that has been filmed in Australia recently.

The Great Gatsby Spends Big Money For Vintage Cars

Story by TMZ posted by Jeremy Thomas on 411mania.com
The producers of The Great Gatsby have dropped some serious cash to get authentic vintage cars. TMZ reports that producers for the Baz Luhrmann film went to the Volo Auto Museum in Illinois last week and bought two 1929 Duesenbergs and a 1929 Packard. All the cars are intended to be driven by Jay Gatsby, played by Leonardo DiCaprio in the film.

A rep from Volo said that the three cars are valued at anywhere from $800,000 to $3 million each, though they wouldn't say how much the producers actually paid. The cars will be shipped out to Australia for the production in the next few weeks.

The Great Gatsby shoot underway in Sydney

Story from The Daily Telegraph

Based on F. Scott Fitzgerald's novel, the movie has attracted a host of Hollywood and Australian stars.

The cast includes Leonardo DiCaprio who plays mysterious millionaire Jay Gatsby, Tobey Maguire as Nick Carraway and Carey Mulligan as Daisy Buchanan.
Aussie actors Joel Edgerton, Isla Fisher, Jack Thompson and Gemma Ward have also signed onto the 3-D movie.
Luhrmann said bringing Fitzgerald's story to life was a challenge and adventure.

"Fitzgerald loved the movies and was a passionate believer in the power of cinema," he said in a statement on Wednesday.

"The vision and the goal of our remarkable cast and creatives is to do justice to the deftness of Fitzgerald's telling, and illuminate its big ideas and humanity."

Although the story is set in New York in 1922, filming is taking place in Sydney.

"The opportunity to make the film in Australia with the Bazmark creative team is very important to us; the assistance from Screen Australia and the NSW Government has made that possible," Luhrmann said.

Sydney on Screen available on Amazon!

All four volumes of Sydney on Screen are now available to download onto your PC or Kindle at Amazon.com, Amazon.co.uk, Amazon.fr and Amazon.de:

Click on picture for larger size!

Sydney, I Love You - new feature film scheduled to shoot in Sydney in 2012


Sydney, I Love You - article by Filmink Magazine's Cara Nash

We spoke to Tropfest founder John Polson about his latest project, ‘Sydney, I Love You’ – a feature comprising a dozen shorts compiled by some of our best talent.

"I want to say this: this is not an Opera House and Harbour Bridge movie," John Polson tells us over the phone from his New York home. "If those two icons appear very little or at all, that wouldn't bother me in the slightest. This is about the real Sydney."

A director and producer in his own right, but perhaps best known as founder of Tropfest, Polson is talking to us about the feature he's set produce with Gary Hamilton, Sydney, I Love You. Taking its inspiration from the similarly themed New York I Love You and Paris Je T'aime - cinematic love letters to their respective cities - this will see some of Australia's biggest and brightest names direct and star in twelve shorts with each one to be set in Sydney during a different month of the year.

While Polson largely divides his time between New York and Australia (he's been back recently as he's currently working on the screen adaptation of Peter Temple's novel Truth, which is set to shoot in Melbourne), he was born and bred in Sydney and cites the city as being very close to his heart. "For a long time, we've had incredible talent, whether it be directors, writers, actors or producers, making it big either at home or overseas. This feels like a great opportunity to pull some of that talent together for one project and showcase one of the world's most beautiful cities."

Another motivation between Polson and Hamilton's idea was that it would provide an easier path for those looking to work on home turf again. "You hear a lot of people lamenting the fact that they haven't made a film in Australia since they hit it big overseas," Polson explains. "It's hard to find the time and the schedule once you're in that world, but this can be the chance to do it where it's not a massive commitment for any one person."

While Polson remains tight-lipped about any talent involved as of yet, he told us that the initial response to the project has been a warm one and he anticipates that all the directing talent will be home grown - a difference to New York I Love You (which among its New York directors also featured the likes of Fatih Atkin, Wen Jiang and others) and Paris Je T'aime (which among its French directorial talent also recruited the Coen Brothers, Gus Van Sant and others).

"Well, I think with the directors, there's so much talent out of Australia already that it would be crazy to look elsewhere," Polson explains. "That said, there are no rules about it. If we find someone who's obsessed and has a great idea, we'll consider it, but at this point, I don't think we'll be looking outside Australians. I really hope this is going to be a showcase of Australia's best directors."

A successful film director in his own right (with Swimfan, Hide And Seek and Tenderness to his credit), Polson hasn't ruled out the possibility of directing one of the shorts himself, but insists his main role will be that of producer - ensuring the right people are selected for the job. "I like to find the best people and then give them freedom to tell the stories they want to tell and in that sense, it's a trust game," he explains. "Obviously you want to be there as a creative sounding board but I'm very much about the director's vision."

While the style and genre of the shorts will be left entirely in the hands of the directors, Polson admits he already has "hundreds of ideas" about how the shorts will come together to ensure that the film plays as a whole. "It's not an easy thing to do, but I feel like I've got a couple of tricks up my sleeve. The composer and the DOP are going to be the same throughout.

"I also think that's a cool idea to have characters reappear if it's done in an organic way," Polson continues. "The other connection is the months of the year and it will be interesting to see which directors want to jump on which month. I think a geographical throughline might be very interesting as well - if each film starts where the last film left off. But I'm aware that the biggest creative force in this film is going to come from the directors and I want to make sure we're not making any rules just because it's cool and gimmicky."

While the story is obviously at the forefront, Polson is not shying away from the fact that he hopes this film "on a secondary level" will serve as an opportunity to showcase our talent, locations and resources. "If this film works the way I hope, then I think people around the world, including people in the film industry, will see Sydney in a different way to how they see it now," Polson says. "Everyone knows Sydney as being beautiful, having beaches and friendly people, but they don't necessarily know it's a bit of a hub for film productions."

In the end, Polson really just wants to show off the city he calls home. "I can tell you living in America for eleven years, nothing breaks my heart more than hearing people just talk about the Opera House and the Harbour Bridge," he sighs. "There's so much more going on in the city and I like to think that these twelve stories will dig deeper as to what's really beautiful about Sydney."

Production is set to commence on Sydney, I Love You in 2012.