Haven't we all at some point in time fantasized about stepping through a cinema/TV screen and into the world of our favourite movies and television shows? I certainly have!

With its modern, urban setting and stunning harbour, it is easy to see why Sydney leads the way as an ideal and versatile shooting destination. Movies shot here have been set in New York (Godzilla: Final Wars, Kangaroo Jack), Chicago (The Matrix and sequels), London (Birthday Girl), Seville (Mission Impossible 2), Bombay (Holy Smoke), Darwin (Australia), Myanmar (Stealth), Mars (Red Planet) and the fictitious city of Metropolis (Superman Returns, Babe: Pig in the City).

Whether popular landmarks or off the beaten track locations that are often hard to find, you can now explore Sydney in a fun and unique way with the SYDNEY ON SCREEN walking guides. Catering to Sydneysiders as much as visitors, the guides have something to offer everyone, from history, architecture and movie buffs to nature lovers.

See where productions such as Superman Returns, The Matrix and sequels, X-Men Origins: Wolverine, Candy, Mission Impossible 2, Mao's Last Dancer, Babe: Pig in the City, Kangaroo Jack, The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, The Bold and the Beautiful, Oprah's Ultimate Australian Adventure and many more were filmed.

Maps and up-to-date information on Sydney's attractions are provided to help you plan your walk. Pick and choose from the suggested itinerary to see as little or as much of the city as you like.

So, come and discover the landscapes and locations that draw filmmakers to magical Sydney, and walk in the footsteps of the stars!

A GREAT ALTERNATIVE TO EXPENSIVE TOURS, YOU CAN NOW ENJOY EXPLORING SYDNEY FOR UNDER $10 WITH THE SYDNEY ON SCREEN WALKING GUIDES. FOR MORE INFORMATION, CONTACT US AT SYDNEYONSCREEN@HOTMAIL.COM

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Click on the picture above to see a preview of all four walking guides and on the picture below to see larger stills of Sydney movie and television locations featured in the slideshow!

Copyright © 2011 by Luke Brighty / Unless otherwise specified, all photographs on this blog copyright © 2011 by Luke Brighty


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The Museum of Sydney shop, corner of Bridge & Phillip Streets, Sydney - Ph: (02) 9251 4678

The Justice & Police Museum shop, corner of Albert & Phillip Streets, Sydney - Ph: (02) 9252 1144

The Mint shop, 10 Macquarie Street, Sydney - Ph: (02) 8239 2416

Hyde Park Barracks shop, Queen Square, Sydney - Ph: (02) 8239 2311

Travel Up! (travel counter) c/o Wake Up Sydney Central, 509 Pitt Street, Sydney - Ph (02) 9288 7888

The Shangri-La Hotel (concierge desk), 176 Cumberland Street, The Rocks, Sydney - Ph: (02) 9250 6018

The Sebel Pier One (concierge desk), 11 Hickson Road, Walsh Bay, Sydney - Ph: (02) 8298 9901

The Radisson Plaza Hotel Sydney (concierge desk), 27 O'Connell Street, Sydney - Ph: (02) 8214 0000

The Sydney Marriott Circular Quay (concierge desk), 30 Pitt Street, Sydney - Ph: (02) 9259 7000

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Showing posts with label Wish You Were Here. Show all posts
Showing posts with label Wish You Were Here. Show all posts

Working holiday on Aussie thriller Wish You Were Here

Working holiday
Team effort: Joel Edgerton, Felicity Price, Teresa Palmer and Antony Starr in a scene from Wish You Were Here. Picture: Supplied Source: Supplied


Vicky Roach, The Daily Telegraph, reports

Even for a passion project, the story behind Sundance-selected thriller Wish You Were Here is unusually intense.

"People ask us: 'Didn't you fight?' says actress Felicity Price, who co-wrote the screenplay for the haunting, low-budget thriller with her husband, actor-turned-director Kieran Darcy-Smith.

"But it was the opposite of that. It was the creation of something."

Not only did they take their work home, the couple lived and breathed their story about a group of friends whose lives implode after one of their party disappears during a holiday in Cambodia.

"We never stopped talking about it," says Price, who plays Joel Edgerton’s wife in the finished project.

Teresa Palmer plays her sister, alongside New Zealand actor Antony Starr.

"In the car on our way to a family barbecue, we'd talk about a problem we couldn't solve," Price says. Darcy-Smith adds: "We'd talk about it while changing nappies. In the shower. While cooking dinner."

By integrating Darcy-Smith's all-important debut as a feature film director, not to mention Price's first lead film role, so successfully into their lives, the couple has put a whole new spin on the idea of a family film.

"We had two kids while we were doing it," says the director.

It's not entirely surprising, then, that when it came to the Cambodian shoot, two-and-a-half-year-old Levi had heard so much about the country, he wasn't going to be left behind.

At just seven months, Sunny was simply too young not to accompany the rest of her family.

"Our whole world shifted together," says Darcy-Smith.

Price admits that things might have been a bit easier if her second child had been just a little bit older.

"But when your film gets financed, you almost don't have a choice. And we wanted it for our lives to happen then."

As it turned out, the children adapted well to their new surrounds.

"They were the only ones who didn't get sick," says Price, who managed not to let the lack of sleep caused by breastfeeding and constant visits to the bathroom hamper her breakthrough performance.

"You learn you have such reserves," she says.

Darcy-Smith admits to having some reservations about directing his wife in his feature film debut.

"I'll be honest. In the beginning - because Felicity was always attached, there was no question she was going to play the role - I was anxious. She is a formidable actress and she has proven herself in incredible theatre shows over many years, and has done great supporting roles in movies and TV, but that's a vastly different thing to carrying a movie."

When he saw the first few days' rushes, Darcy-Smith breathed out.

The screen chemistry between Price and Edgerton, Darcy-Smith's co-founder of Blue Tongue Films, along with Edgerton's brother Nash, was clear.

"She's a helluva woman. It was pretty challenging - she's in almost every scene in the movie - but she was particularly graceful in the way she handled it."

While conditions in Cambodia were difficult - Darcy-Smith fell neck-deep into an open sewer on the first day of shooting - the director never felt he had bitten off more than he could chew.

"I can get quite overwhelmed by silly little things. But my experience of directing a movie, where there is genuine pressure, is that it's a bit like giving Ritalin to a hyperactive kid. It has a paradoxical effect. That pressure focuses me. Everything becomes crystal clear."

Wish You Were Here (MA15+), in cinemas now

Enjoying life on 'the list'

"It's all happening so quickly and so weirdly" ... Joel Edgerton.
"It's all happening so quickly and so weirdly" ... Joel Edgerton.



Giles Hardie, The Age, reports

Joel Edgerton is rapt yet philosophical about his 'overnight' success.

In the past year, Joel Edgerton has gone from Animal Kingdom, via Warrior and The Thing, to The Great Gatsby, becoming the next big thing in Hollywood on the way. But far from being an overnight sensation as some in the industry might perceive him to be, the actor, writer and director from Blacktown has worked diligently at his craft for decades in Australia.

''By the time I got any kind of real momentum in the States, I'd done a tonne of work here,'' he says. ''Now I feel equipped and I feel ready and yet at the same time people over there are saying this guy's a relatively new person.''

Instead of focusing all his energy on Hollywood, the 37-year-old will continue making films in Australia, too. In his latest, Wish You Were Here, Edgerton plays Dave Flannery, a family man whose holiday with his wife (Felicity Price) goes horribly wrong. Shifting back and forth in time, the film gradually reveals the details of a fateful night in Cambodia alongside the consequences back home in Australia. The story also reveals more about Edgerton than he is entirely comfortable with.

Despite being single, Edgerton says his character ''is a lot of me. So the tricky thing becomes: Do you know yourself well enough to then portray that on screen? And for me, I find that really hard. I'd rather hide behind accents and funny walks.''

Far from an inflated ego, success has given Edgerton a fresh sense of responsibility. ''There's the pressure of being a No. 1 on the call sheet, being a lead actor,'' he explains. ''There's almost this feeling like being captain of the team. You want to put a bit of energy into actually setting a good example. If you're an idiot, if you're behaving badly, then forget rumours and gossip, just think about the examples you set for young children who are working on movies.''

As well as displaying this on-set maturity, Edgerton has developed a good nose for choosing worthy projects and characters that resonate, which is important now with big money offers flooding in. ''It's tricky,'' he says. ''I've never been standing at the top of the tree with tonnes of money thrown at me. I've never really had a profile. So in a way I have this 'nothing to lose' attitude. I don't want to blow it all now by suddenly taking the money and running, having a gun in my hand in every project and spitting out cheesy lines.''

In addition to on-camera success Edgerton has ''been writing a tonne of stuff for years and now it's all starting to come together. He has written One Night Stand for Fox, another unnamed script that will bring him home again to perform later this year, as well as planning to direct a third in the US early next year. ''It's a disturbing suburban Hitchcock-style thriller,'' he says.

Before that, Edgerton heads to the Middle East for a couple of months to work on Zero Dark Thirty, Kathryn Bigelow's film about the Navy Seal team that caught Osama bin Laden, a topic he enjoys teasing journalists about: ''I could tell you loads … but I'm not allowed to.''

In high demand, Edgerton is now linked seemingly to every major Hollywood project announced, although big-name roles aren't his ambition. ''I'm on the list that I thought I'd never be on,'' he says. ''I'm not sitting here thinking, 'God, I might get this part' or 'is it too late for me to play Hamlet?' It's really about: who do I get to work with? There's so many people on that list.''

The schoolyard dreamer can be seen lurking within Edgerton as he considers the opportunities that now seem possible. ''I got sent something the other day that Clint Eastwood's directing. I've sent a few audition tapes for Clint's movies in the past but now it feels like maybe I could actually work with him.

''It's all happening so quickly and so weirdly, and it's all shifted so dramatically,'' Edgerton says. ''I don't want to get too bogged down in the seriousness of it all, I want to have the gratitude for it all, because it's kind of awesome.''

WISH YOU WERE HERE

GENRE Drama.
CRITICAL BUZZ Great slow-burn thriller that twists with every new revelation about an ecstasy-fuelled night in Cambodia and its impact on life back in suburban Australia.
STARS Joel Edgerton, Felicity Price, Teresa Palmer.
DIRECTORS Kieran Darcy-Smith.
RATED MA15+.
RELEASE April 25.

New wave of well-travelled talent homes in on local projects

Joel Edgerton
Australian actor Joel Edgerton at the Wish You Were Here premiere in Sydney on Monday. Picture: Getty Images. Source: Getty Images


Michael Bodey, The Australian, reports
Joel Edgerton hoped his occupation might be his passport. After travelling to Texas with a play as a schoolboy, the young actor decided he wouldn't bother travelling on a gap year.
"I thought I can be an actor and travel the world," the 37-year-old recalls. "It took me a while but then I started heading off to these weird and wonderful places."
This week, he was in his home town of Sydney with co-star Teresa Palmer at the premiere of the Australian film partly shot in Cambodia, Wish You Were Here.
Next week, he departs for places unknown, or at least not public, to begin filming Kathryn Bigelow's follow-up to the Oscar-winning The Hurt Locker, a film dramatising the US Navy SEALs attack and assassination of Osama bin Laden.
"I've been involved in movies that had confidentiality agreements and, looking back at them, they all look rather cosmetic compared to this," he says with a laugh.
After a swag of films that have taken him to the US, Britain, Canada and India, Edgerton enjoyed bunkering down in Sydney filming The Great Gatsby recently for Baz Luhrmann.
"He dreams big in a country where we're a little bit shy to dream big because we know it will attract criticism," Edgerton says of Luhrmann.
As he travels the globe adding to his growing resume of Hollywood and European films, Edgerton has maintained a steady mix of Australian films.
Conversely, Palmer says she jumped at the chance to take on Kieran Darcy-Smith and Felicity Price's thriller about the fallout from a Cambodian holiday gone wrong because she wanted to experience the feel of an Australian film again. The 26-year-old actress has already starred in major studio pictures including Bedtime Stories and I Am Number Four and hadn't worked here since she filmed December Boys in 2006.
"I've carved my path in America doing these big movies and I was switching it up by moving between genres," Palmer says. "But I was missing that sense of collaboration you get on these smaller, local movies."
And for once, her US agents were enthusiastic about her heading home.
"Sometimes they want you to stick around in America and earn lots of money on the studio films," Palmer says.
The prospect of Darcy-Smith's direction appealed to them because he is part of the Blue Tongue Films collective that includes the Edgerton brothers, Joel and Nash, Animal Kingdom's David Michod and Oscar nominee Luke Doolan.
"Blue Tongue has a huge reputation in the US, especially since Animal Kingdom," Palmer says. "I've been taking meetings over there and people are asking about the Blue Tongue collective. They really like their grittier, more real films. I feel like a new wave of directors and Aussie actors is being recognised over there right now."
Wish You Were Here is very much part of that collective's success after being chosen to open the international section of the prestigious Sundance Film Festival in January. Subsequently, Darcy-Smith has signed with a big US agency, WME, and the film has secured distribution in North America. They couldn't wish to be anywhere else.
Wish You Were Here opens on Anzac Day. 

Kath, Kim and Baz to rejuvenate box office after slow year

Great Aussie hope ... <e>The Kath & Kim Filum</em>.
Great Aussie hope ... The Kath & Kim Filum. Photo: RTP Films


Garry Maddox, The Age, reports

WITH at least three potential hits, last year's underwhelming box office for Australian films - except for Red Dog - is expected to improve this year.

Figures released by Screen Australia show last year's Australian releases took just $42.9 million - 3.9 per cent of the annual box office. But commercial prospects look bright for The Kath & Kim Filum, the romantic comedy Any Questions for Ben?, the Working Dog team's return to filmmaking after The Castle and The Dish, and Baz Luhrmann's star-powered The Great Gatsby.

Last year's results, dominated by Red Dog's exceptional $21.3 million, were down on the previous year's 4.5 per cent but still well above the record low of 1.3 per cent in 2004.

The acting chief executive of Screen Australia, Fiona Cameron, believes the wedding comedy A Few Best Men, shark attack horror film Bait 3D, musical The Sapphires and Ronan Keating comedy Goddess are also potential hits.

Other prospects include the Toni Collette comic drama Mental and the Sundance selection Wish You Were Here.

While Cameron expects the slate to top the 4 per cent mark this year, she won't predict a figure, citing Screen Australia's investment in culturally significant films whose impact often transcends box office results.

The Australian share of the box office has cracked 10 per cent only five times in the past 35 years, with Crocodile Dundee driving the record 23.5 per cent in 1986.

In a year when the total annual box office dipped 3 per cent to $1.094 billion, Screen Australia is citing other measures of success for Australian film, including sales to 19 territories for the sexually charged drama Sleeping Beauty after its world premiere at Cannes and 12 territories for the Tasmanian drama The Hunter after its Toronto festival debut.

The 3D cave-diving thriller Sanctum also grossed more than $100 million worldwide.

Also, the federal government agency claims 72.7 million ''downstream'' viewings for Australian films on DVD, online, pay TV and free-to-air TV, although cinema box office and international sales still largely determine financial success.

The challenge for small-scale Australian films with modest marketing budgets has only increased as the cinema business has polarised into ''events'' at both ends of the spectrum - blockbuster franchises in multiplexes and acclaimed films in arthouses.

But Red Dog's success shows how much audiences respond to even low-profile Australian films when they work creatively and are marketed strongly.

''They put together a warm, friendly, accessible script,'' Cameron says.

''Accessibility shouldn't be a dirty word.''

Aussies shine at Sundance Film Festival

Cast of Wish You Were Here
Antony Starr, Joel Edgerton, Felicity Price and Teresa Palmer, cast members of Australian film Wish You Were Here, at the 2012 Sundance Film Festival in Park City, Utah. Picture: AP Source: AP


Christine Westwood, The Australian, reports

AUSTRALIAN filmmakers have reaffirmed the country's reputation for drama at the Sundance Film Festival in the US, with Sydney's Kieran Darcy-Smith's psychological feature premiering to positive reactions.

The first-time feature writer/director's drama, Wish You Were Here, starring Joel Edgerton and Teresa Palmer, opened the World Cinema Dramatic competition in front of a packed audience at the Utah event, which began on Friday.

"I guess the nicest thing (about being selected for Sundance) is the validation that comes with it," said Darcy-Smith. "To have the Sundance selectors not only invite us into competition but also to offer us the opening night screening, it's hard to describe."

The film, shot in South East Asia, follows four 30-something Australians who take a holiday in Cambodia. When one of them goes missing, the lives of everyone are transformed forever.

Edgerton's brother Nash, meanwhile, stars in and is co-author of Bear (with Animal Kingdom's David Michod), which has been selected for the festival's short film competition.

Both films have come out of directors collective Blue Tongue Films, founded by the Edgerton brothers and Darcy-Smith, with Michod a more recent member.

Introducing Wish You Were Here, director of programming Trevor Groth described Blue Tongue as "talented, cool, rough neck filmmakers''.

"All I ever wanted was for the story to move people in a positive way and for them to truly enjoy those two hours in the cinema,'' said Darcy-Smith. "It is an enormously prestigious platform from which to launch your first movie and there are a great many opportunities that come with that. It's a nice feeling.''

Such was the interest in the film that more than two-thirds of the audience stayed back for the Q&A with the filmmakers.

Nash Edgerton's and Michod's short, Bear, is a gem of a short film.

When asked about establishing character in short format, co-writer Michod explained: "You just make them feel true or at least true to the world of the film.

"Nash had an idea for a short and asked me if I wanted to help him write it. I'd just finished Animal Kingdom and wanted to start writing again but couldn't remember how. Bear seemed like a good way to get back into the swing.

"Nash is exceptionally good at creating visceral cinema experiences. He knows what experiences will work and he's really good at making them work. My main job is just to make the connecting tissue feel natural and plausible to make it invisible basically.''

Bear was selected as one of nine films for the Cannes Film Festival 2011 Short Film Competition and received a "great reception there'', according to Nash Edgerton.

"People responded beyond what my expectations for the film were, so it was a lot of fun to be there.''

Sundance was founded by Robert Redford in 1981 with the mission to support independent films that "inform, inspire, and unite diverse populations around the globe''. Opening the festival, Redford said: "We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.''

Sundance's main feature awards are announced on January 28, while short film awards ceremony will be held on January 24.

Aussie film selected for Sundance

The Age reports

Australia's Wish You Were Here has been chosen for January's Sundance Film Festival.

Starring Joel Edgerton, Felicity Price, Teresa Palmer and Anthony Starr, the film centres around a holiday taken by four friends in Cambodia from which only three return.

Co-written by Kieran Darcy-Smith and Price, Wish You Were Here - which deals with what happened on that fateful night - will have its world premiere at the opening night of the 2012 World Cinema Dramatic Competition.

Producer Angie Fielder says it's exciting the film is in the festival's World Cinema Dramatic Competition category.

"Kieran and I are immensely proud and honoured that Wish You Were Here has been selected to have its world premiere at Sundance.

"It's exciting to see our film open the prestigious World Cinema Dramatic Competition at a festival which celebrates independent filmmaking," she said in a statement.

Screen Australia's head of marketing Kathleen Drumm says the festival will offer Wish You Were Here a great premiere platform.

"Sundance's international competition program is one of the most sought-after premiere slots in the world. Thousands of films are submitted; only 16 are chosen.

"Established by Robert Redford in 1984, the festival is a mecca for the independent film community and, like Animal Kingdom and others before, it offers Australian cinema an outstanding debut platform," Drumm said in a statement.

Sundance has announced 16 films that will compete in each of the four other categories - US dramas, US documentaries, world dramas and world documentaries.

The festival runs from January 19-29 in Park City, Utah.

Wish You Were Here will be released nationally in cinemas next April.