Haven't we all at some point in time fantasized about stepping through a cinema/TV screen and into the world of our favourite movies and television shows? I certainly have!

With its modern, urban setting and stunning harbour, it is easy to see why Sydney leads the way as an ideal and versatile shooting destination. Movies shot here have been set in New York (Godzilla: Final Wars, Kangaroo Jack), Chicago (The Matrix and sequels), London (Birthday Girl), Seville (Mission Impossible 2), Bombay (Holy Smoke), Darwin (Australia), Myanmar (Stealth), Mars (Red Planet) and the fictitious city of Metropolis (Superman Returns, Babe: Pig in the City).

Whether popular landmarks or off the beaten track locations that are often hard to find, you can now explore Sydney in a fun and unique way with the SYDNEY ON SCREEN walking guides. Catering to Sydneysiders as much as visitors, the guides have something to offer everyone, from history, architecture and movie buffs to nature lovers.

See where productions such as Superman Returns, The Matrix and sequels, X-Men Origins: Wolverine, Candy, Mission Impossible 2, Mao's Last Dancer, Babe: Pig in the City, Kangaroo Jack, The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, The Bold and the Beautiful, Oprah's Ultimate Australian Adventure and many more were filmed.

Maps and up-to-date information on Sydney's attractions are provided to help you plan your walk. Pick and choose from the suggested itinerary to see as little or as much of the city as you like.

So, come and discover the landscapes and locations that draw filmmakers to magical Sydney, and walk in the footsteps of the stars!

A GREAT ALTERNATIVE TO EXPENSIVE TOURS, YOU CAN NOW ENJOY EXPLORING SYDNEY FOR UNDER $10 WITH THE SYDNEY ON SCREEN WALKING GUIDES. FOR MORE INFORMATION, CONTACT US AT SYDNEYONSCREEN@HOTMAIL.COM

Subscribe to the blog and keep up with all the latest Aussie film and entertainment news. Read about what the stars are up to, who's in town, what movies are currently filming or being promoted. Locate us on Facebook at www.facebook.com/sydneyonscreen and "like" our page!

Sydney on Screen walking guides now on sale!

Click on the picture above to see a preview of all four walking guides and on the picture below to see larger stills of Sydney movie and television locations featured in the slideshow!

Copyright © 2011 by Luke Brighty / Unless otherwise specified, all photographs on this blog copyright © 2011 by Luke Brighty


Sydney on Screen guides are now available for purchase at the following outlets:

Travel Concierge, Sydney International Airport, Terminal 1 Arrivals Hall (between gates A/B and C/D), Mascot - Ph: 1300 40 20 60

The Museum of Sydney shop, corner of Bridge & Phillip Streets, Sydney - Ph: (02) 9251 4678

The Justice & Police Museum shop, corner of Albert & Phillip Streets, Sydney - Ph: (02) 9252 1144

The Mint shop, 10 Macquarie Street, Sydney - Ph: (02) 8239 2416

Hyde Park Barracks shop, Queen Square, Sydney - Ph: (02) 8239 2311

Travel Up! (travel counter) c/o Wake Up Sydney Central, 509 Pitt Street, Sydney - Ph (02) 9288 7888

The Shangri-La Hotel (concierge desk), 176 Cumberland Street, The Rocks, Sydney - Ph: (02) 9250 6018

The Sebel Pier One (concierge desk), 11 Hickson Road, Walsh Bay, Sydney - Ph: (02) 8298 9901

The Radisson Plaza Hotel Sydney (concierge desk), 27 O'Connell Street, Sydney - Ph: (02) 8214 0000

The Sydney Marriott Circular Quay (concierge desk), 30 Pitt Street, Sydney - Ph: (02) 9259 7000

Boobook on Owen, 1/68 Owen Street, Huskisson - Ph: (02) 4441 8585


NSW, interstate and international customers can order copies of Sydney on Screen using PayPal. Contact us at sydneyonscreen@hotmail.com to inquire about cost and shipping fees.


All four volumes of Sydney on Screen are available to download onto your PC or Kindle at:
Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de, Amazon.es and Amazon.it


Showing posts with label Man on A Ledge. Show all posts
Showing posts with label Man on A Ledge. Show all posts

Once more from the top

Sam Worthington.
Sam Worthington, work in progress. Photo: Getty Images



Steve Dow, The Sydney Morning Herald, reports

Sam Worthington is somehow different. It's mid-afternoon in a hotel room on a stunning blue day and this is the last in a day of interviews. ''It must be beer o'clock,'' the 35-year-old star of the world's highest-grossing film, Avatar, says, wearing a T-shirt, jeans and a couple of days' ginger stubble.

It's the sort of thing you can imagine the English-born, Perth-raised former brickie saying on a building site. That's it: Sam Worthington went to Hollywood and has returned more relaxed.

I last interviewed him in 2006, when he was still calling Australia home - the year after he'd flown to London to screen test as James Bond. He'd come across as blokey and friendly then, too, but his approach seemed more intense. Much.

On the day in 2005 that he appeared at Pinewood studios to test for 007 director Martin Campbell, for instance, Worthington, having been asked if he was enjoying London, brusquely replied: ''No, I'm not. I'm here to do the job.

''Here's the thing: you say Bond's smart, sophisticated and suave and he's trained to be a killer. I've read all the [Ian Fleming] books now and watched all the movies. And he's not.''

Whether Worthington's forthright theory that Bond was first and foremost a thug trained to be debonair held sway we'll never know because Daniel Craig was cast in Casino Royale. Worthington went on to play Macbeth, with Shakespeare's Scottish tragedy recast in Melbourne's gangland wars, for which he insisted the Scottish king be not the ditherer of lore but hold himself as honourable. Yet Worthington had prophesied the critical toil and trouble: ''I reckon we're gonna get crucified,'' he said back then, ''a bunch of convicts doin' the Bard's words.''

I tell Worthington I've got some perspective on his career trajectory thanks to his old Macbeth interview. ''Me too,'' he laughs heartily. ''You brought up that dog, thanks.''

Perhaps one reason he's laughing now is that last year, he settled in Hawaii after four gypsy years around Los Angeles. Now he can swim and surf with his new girlfriend close by.

Although he won't name her, it seems London's Daily Mail was right with its speculative paparazzi photo captions of the couple together after he split from film stylist Natalie Mark last January after three years.

Undoubtedly, Worthington's life changed when director James Cameron cast him in Avatar - the tale of a race of tall blue people - and a fantasy action hero was born, advancing with confidence in Terminator Salvation and Clash of the Titans.

But before Hollywood could change him, Worthington changed himself. Months after the Macbeth interview, aged 30, Worthington took to heart the poem If by Rudyard Kipling, which was given to him by a friend, producer John Schwarz.

The poem reads in part: If you can make one heap of all your winnings/And risk it on one turn of pitch-and-toss/And lose, and start again at your beginnings … Yours is the Earth and everything that's in it/And - which is more - you'll be a Man, my son.

''I didn't like the person that I was,'' Worthington now says. ''I had a great career, I just didn't like me - how I interacted with people, who I was becoming.''

He was selfish? ''Yeah, a lot of stuff like that. And you're crossing 30. In your 20s, you think you've got it figured out, you think you know who you're becoming, and you get to 30 and you go, 'This is it, warts and all.' It's going to be hard to change who you are by that time. I didn't like it. I don't know, there was something about the person I was I didn't like. It's hard to describe.''

He sold his possessions and spent months living out of a car or on friends' couches - including the sofa he'd sold to a mate.

''Everything in my house reminded me of something - you remember where you bought your jeans from; you remember where you and your ex-girlfriend bought the flat-screen TV. Every time I looked at something, it reminded me of things I didn't want to be reminded of. So I just got rid of it.''

Amid this early midlife crisis, James Cameron called, having seen an audition tape. Worthington's great second act was born. Next, he'll begin filming Avatar 2, this time set under water, for which he will have scuba-diving lessons.

In the meantime, Worthington's latest movie is Man on a Ledge, a taut, nail-biter directed by Asger Leth. The film is pure popcorn but nonetheless brilliantly made, not least because Worthington, playing a former cop trying to clear his name, spends most of it literally standing on a 35-centimetre window ledge on a specially built floor on top of the Roosevelt Hotel 60 metres above New York, his lifeline harness not visible thanks to CGI.

Worthington is determined to give moviegoers value for the price of their tickets. He told David Letterman that Australians come to Hollywood to work ''and we don't want to waste your time'', an ethic born of growing up in an industrial town on the West Australian coast, where his dad worked in an aluminium refinery.

''My dad had to work for everything in his life, so did my mum; she cleaned people's houses and looked after old people.

''You can be complacent and sit on the couch and complain about the dreams that you missed. Get off the couch!''

Man on a Ledge is now screening.

Step in the height direction

Man On A Ledge.
Sam Worthington plays an ex-con on a Manhattan rooftop in Man on a Ledge.


Jim Schembri, The Age, reports

Sam Worthington faces a tall order in his new thriller, writes Jim Schembri.

AS AN actor who craves challenges, Sam Worthington put himself through the ringer on two counts for his new thriller, Man on a Ledge. In the film, Worthington plays Nick Cassidy, a disgraced ex-cop who creates a media circus by climbing out on to the ledge of a New York apartment building as part of an elaborate scheme to clear his name. Although safety measures were taken with wires, much of the shoot involved Worthington standing on a ledge more than 80 metres above street level.

Worthington doesn't like heights. ''[It's] more a fear of falling and landing!'' he says. ''That was the biggest fear. When I read the script I forgot I had to do it, so on the first day, you're standing there going 'What?' My mate said, 'The movie's called Man on a Ledge, idiot. What do you think you had to do?'''

He certainly looks scared enough. ''That's because half the time I was, to be honest!'' he says. ''You can't get complacent; it's always in the back of your mind how high you are.''

A set was built but was used chiefly for close-ups. ''Nobody knew how much we'd be able to do on the actual ledge itself because they thought I might burst into tears or something, then the more confident I got the more confident the camera crew got and before we knew it we'd filmed like 80 per cent of [those scenes] out there. The truth is that the first time I step on the ledge in the movie is the first time I stepped on that ledge! And there was no safety net because when you're up that high terminal velocity kicks in, so a net wouldn't hold you.''

Yet there was a bigger fear Worthington faced. While much is going on around him involving the police and his accomplices, Cassidy essentially remains immobile as he delivers reams of exposition. And if there's one thing Worthington hates more than heights, it's exposition.

''Exposition's terrible. It's motion pictures, not motion words. Show it, don't speak it!'' he says, laughing. ''It's almost an action movie where the action guy is rooted to the spot … There's many tongue-twisting backstories and I'm the man who has to deliver them. Normally I give [that task] away!''

Since starring in James Cameron's Avatar, one of the biggest films in history, Worthington's stock has risen considerably. Man on a Ledge was directed by first-time feature director Asger Leth from a script by television movie writer Pablo F. Fenjves. It was only when Worthington showed interest in the project that the film was fast-tracked.

The clout to green-light a film is a measure of Worthington's post-Avatar power. ''You're aware of it in certain aspects,'' he says. ''[Studios] start trusting you and the more movies you do … the more they understand that not only do you have a commodity that can help them get movies made but you have an awareness of yourself. I have an awareness I like making movies for a certain audience, so you work in tandem with them to get movies made.

"It's always nice to go to a guy, 'look, this is your first ever motion picture, it's a massive budget for you' and see if he is going to step up and deliver. Lorenzo likes taking risks as well, so you put Asger (whose documentary Ghosts of Cité Soleil Worthington loved) with a good cast and see how he flies. We were looking for something that was just entertaining, sheer, unadulterated popcorn, and if we put a good director who could keep the pace on it, it could deliver that. Asger and the boys did a good job because it is a tough one.''

Worthington holds a unique distinction in the world of 21st century cinema. As well as being the star of Avatar, one of the best 3D films ever made, he was also star of Clash of the Titans, an epic that came in for a lot of criticism because of the poor quality of its "back conversion" to 3D. He stands up for the film, and says the new film, Wrath of the Titans will be better.

"Clash was the first movie after Avatar to actually try a conversion. Over the course of the years they've refined the process a bit more and they know what they're doing," he says. "Especially with Wrath, we had a stereographer the whole time. The studio was aware of the criticism that we hit with the first one so it's really about tweaking it and and keeping it in the forefront."

At 35 Worthington is concentrating on his work. He once sported an aggressive attitude to the media and had a combative on-set reputation, but while he is still very sensitive to misreporting - especially online - he says he has dialled down his alleged aggro.

"If you look at it personally, you read stuff about yourself or stuff about other people you know ... I know what you're getting at. You know me, mate, I stand up for myself no matter what. If you're painted in a wrong light or accused of something you've definitely got to stand up and say something.

"I think I've got a lot calmer as I've grown up a bit; my priorities obviously change a lot and when it comes down to celebrity I've always been one to shy away from parties. The older you get the more you try to keep that delicate balance between your job, the crazy part of the industry and the normalcy of your life.''

Man On a Ledge opens next week.

Sam Worthington moves to Hawaii, after spending years 'homeless'

Sam Worthington
 Source: AP

The Daily Telegraph reports

RENOWNED free spirit Sam Worthington has finally settled down - at his all-time favourite holiday spot.

Very vocal about being "homeless" and a constant "couch surfer" over the years, the The Debt actor has bought himself a home in Hawaii, his go-to destination for getaways.

Worthington, 35, said it was about time he set down some roots.

"I love it there - I love the people," he told Confidential yesterday.

"It's very laid-back and it's a really friendly place to live.

"I was going there quite a lot and my friend said, 'Why don't you just move there?' and then I did. I've got my own bed now."

Worthington added that it was easy choosing Honolulu over Hollywood.

"I would never live in LA - I hate that place," he said.

We hear Wortho has also shacked up with a lady love in Hawaii, but he wasn't giving anything away on that front.

The NIDA graduate flew into town this week to promote his new thriller Man On A Ledge, about a man who stands on a New York windowsill 20 floors up as a distraction for a robbery.

He is also expected to catch up with fellow Sydney visitor, director James Cameron, to discuss the start of the highly anticipated Avatar sequel.

But Worthington has promised his next sequel, a Clash Of The Titans follow-up called Wrath Of The Titans, will be better than its widely criticised predecessor - and so will his own performance.

"I was a f ... ing generic, bland, action dude," he told Moviehole.

"I was like a Barbie doll. And I didn't like myself for doing that.

"I dropped the ball."