Haven't we all at some point in time fantasized about stepping through a cinema/TV screen and into the world of our favourite movies and television shows? I certainly have!

With its modern, urban setting and stunning harbour, it is easy to see why Sydney leads the way as an ideal and versatile shooting destination. Movies shot here have been set in New York (Godzilla: Final Wars, Kangaroo Jack), Chicago (The Matrix and sequels), London (Birthday Girl), Seville (Mission Impossible 2), Bombay (Holy Smoke), Darwin (Australia), Myanmar (Stealth), Mars (Red Planet) and the fictitious city of Metropolis (Superman Returns, Babe: Pig in the City).

Whether popular landmarks or off the beaten track locations that are often hard to find, you can now explore Sydney in a fun and unique way with the SYDNEY ON SCREEN walking guides. Catering to Sydneysiders as much as visitors, the guides have something to offer everyone, from history, architecture and movie buffs to nature lovers.

See where productions such as Superman Returns, The Matrix and sequels, X-Men Origins: Wolverine, Candy, Mission Impossible 2, Mao's Last Dancer, Babe: Pig in the City, Kangaroo Jack, The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, The Bold and the Beautiful, Oprah's Ultimate Australian Adventure and many more were filmed.

Maps and up-to-date information on Sydney's attractions are provided to help you plan your walk. Pick and choose from the suggested itinerary to see as little or as much of the city as you like.

So, come and discover the landscapes and locations that draw filmmakers to magical Sydney, and walk in the footsteps of the stars!

A GREAT ALTERNATIVE TO EXPENSIVE TOURS, YOU CAN NOW ENJOY EXPLORING SYDNEY FOR UNDER $10 WITH THE SYDNEY ON SCREEN WALKING GUIDES. FOR MORE INFORMATION, CONTACT US AT SYDNEYONSCREEN@HOTMAIL.COM

Subscribe to the blog and keep up with all the latest Aussie film and entertainment news. Read about what the stars are up to, who's in town, what movies are currently filming or being promoted. Locate us on Facebook at www.facebook.com/sydneyonscreen and "like" our page!

Sydney on Screen walking guides now on sale!

Click on the picture above to see a preview of all four walking guides and on the picture below to see larger stills of Sydney movie and television locations featured in the slideshow!

Copyright © 2011 by Luke Brighty / Unless otherwise specified, all photographs on this blog copyright © 2011 by Luke Brighty


Sydney on Screen guides are now available for purchase at the following outlets:

Travel Concierge, Sydney International Airport, Terminal 1 Arrivals Hall (between gates A/B and C/D), Mascot - Ph: 1300 40 20 60

The Museum of Sydney shop, corner of Bridge & Phillip Streets, Sydney - Ph: (02) 9251 4678

The Justice & Police Museum shop, corner of Albert & Phillip Streets, Sydney - Ph: (02) 9252 1144

The Mint shop, 10 Macquarie Street, Sydney - Ph: (02) 8239 2416

Hyde Park Barracks shop, Queen Square, Sydney - Ph: (02) 8239 2311

Travel Up! (travel counter) c/o Wake Up Sydney Central, 509 Pitt Street, Sydney - Ph (02) 9288 7888

The Shangri-La Hotel (concierge desk), 176 Cumberland Street, The Rocks, Sydney - Ph: (02) 9250 6018

The Sebel Pier One (concierge desk), 11 Hickson Road, Walsh Bay, Sydney - Ph: (02) 8298 9901

The Radisson Plaza Hotel Sydney (concierge desk), 27 O'Connell Street, Sydney - Ph: (02) 8214 0000

The Sydney Marriott Circular Quay (concierge desk), 30 Pitt Street, Sydney - Ph: (02) 9259 7000

Boobook on Owen, 1/68 Owen Street, Huskisson - Ph: (02) 4441 8585


NSW, interstate and international customers can order copies of Sydney on Screen using PayPal. Contact us at sydneyonscreen@hotmail.com to inquire about cost and shipping fees.


All four volumes of Sydney on Screen are available to download onto your PC or Kindle at:
Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.de, Amazon.es and Amazon.it


Nominees for fourth annual Australians in Film Heath Ledger Scholarship announced

Ledger Scholarship nominees 2012
One thespian set for career-changing leg-up ... (From left, from top) Talia Zucker, Aaron Jakubenko, Brett Stiller, Shari Lee Sebbens, Kenji Fitzgerald; (bottom row) Will Howarth, Tim Pocock, Meegan Warner, Lachlan Buchanan and Anna McGahan. Source: The Daily Telegraph


The Daily Telegraph reports

The nominees for the fourth annual Australians in Film Heath Ledger Scholarship were announced yesterday - the list a baker's dozen of budding young talent, one of whom is now in line for a career-changing financial leg-up.

One of 13 talented young actors will win a cash prize, plus return ticket to Los Angeles and a one-year acting course that could set them up for a lifetime of success.

The budding young thespians in contention to win this year's Australians in Film Heath Ledger Scholarship are Aaron Jakubenko, Alycia Debnam-Carey, Andrew Hazzard, Anna McGahan, Brett Stiller, Kenji Fitzgerald, Lachlan Buchanan, Meegan Warner, Michael Sheasby, Shari Lee Sebbens, Talia Zucker, Tim Pocock and Will Howarth.

The winner will be announced on on June 27.

Bella Heathcote, the 2010 winner, who is now starring in Tim Burton's Dark Shadows, said of her scholarship win: "Winning the scholarship was the best possible way to start my career in LA. It gave me the incentive to come to LA, a start-up fund to sustain me, and a foot in the door in regards to meetings with industry professionals.

"I'd encourage any actor out there to apply."

Judging this year's awards are The Twilight Saga director Catherine Hardwicke, Warner Bros Pictures exec Greg Silverman, casting director Donna Issacson and Gregor Jordan.

Australians in Film president Andrew Warne yesterday said: "Year after year Australia is producing some of the world's most exciting and emerging acting talent and this year's finalists represent some of the best. Australians in Film and the Ledger family are incredibly proud to be able to help these 13 young actors further their careers internationally."

John Jarratt in town to prepare for Chopper role

John Jarratt
Actor John Jarratt will star in Pinball, a movie about Mark Chopper Read. Picture: Andrew Tauber Source: Herald Sun


The Herald Sun reports

Wolf Creek baddie John Jarratt will fly back into Australia tomorrow to prepare for filming Mark "Chopper" Read's final scenes in gritty Melbourne drama Pinball.

Read, who has been given about five weeks to live after being diagnosed with terminal liver cancer, is waiting to find out if he will have some of his tumours removed later this week.

Pinball producers hope to film his final scenes with Jarratt on a closed set at a Collingwood pub next week.

Jarratt has been in the US filming Quentin Tarantino blockbuster Django Unchained alongside Leonardo DiCaprio, Jamie Foxx and Christoph Waltz.

Having grown a beard for the western action film, he will shave it off for Pinball.

Jarratt will then have just three weeks to grow it again before he returns to film more scenes for Django.

Newly single Melbourne model Silvana Lovin has also won a role in Pinball, playing a gangster's wife.

Lovin will head to the US this year to pursue a career in film and will train with agency Hollywood Immersive.

Nicole Kidman and Colin Firth on right track to adventure

Nicole Kidman
Colin Firth and Nicole Kidman attend a photocall to announce the start of filming The Railway Man on April 27, 2012 in Edinburgh, Scotland. Source: Getty Images


The Herald Sun reports

Nicole Kidman stepped back in time with Academy Award winner Colin Firth yesterday as filming started on The Railway Man.

Kidman braved chilly conditions as the cameras started rolling in the Scottish city of Perth.

Kidman plays Patricia "Patti" Wallace, the wife of WWII veteran Eric Lomax, who wrote the memoir on which the film is based.

The story follows Lomax's time as a prisoner of war, building the Burma Railway, and coming to terms with the scars of war.

Production will move to Thailand in May before coming to Australia in early June.

Paul Hogan settles tax dispute after eight long years

Paul Hogan
Paul Hogan was famously prevented from leaving Australia in 2010 after the ATO served him with a departure prohibition. Picture: Adam Ward Source: The Daily Telegraph


The Herald Sun reports

After a marathon eight-year row, actor Paul Hogan has finally settled his differences with the Australian taxman.

The Australian Taxation Office (ATO) was chasing the Crocodile Dundee star and artistic collaborator John Cornell over $150 million in alleged unpaid taxes and penalties dating from the 1980s.

The pair were the highest profile targets of Operation Wickenby, a nationwide, multimillion-dollar fraud probe launched by the ATO in 2004.

Hogan and Cornell issued a statement through their lawyer, Andrew Robinson, last night.

"Paul Hogan and John Cornell are pleased to advise that following a mediation before ex-High Court Judge, the Honourable Michael McHugh AC QC, they and their related entities have reached a settlement with the Commissioner of Taxation," the statement said.

The agreement was reached on a "without admission" basis.

"The parties have agreed that the terms of the settlement are to be confidential, but as part of the settlement, the Departure Prohibition Order issued against Mr Hogan has been revoked by the Commissioner," the statement continued.

Hogan was famously prevented from leaving Australia in 2010 after the ATO served him with a departure prohibition order as it sought to settle the alleged unpaid tax debt.

Russell Crowe 'intimidated' by vocal talents of his 'Les Miserables' costars

Russell Crowe
Russell Crowe plays Insp Javier in upcoming film of the musical Les Miserables. Pic: Ella Pellegrini Source: News Limited


The Daily Telegraph reports

Russell Crowe may have an Oscar to his name and frequently play gigs with his beloved band "The Ordinary Fear of God," but it seems that still is not enough to quash his nerves on the set of the film adaptation of the iconic stage musical "Les Miserables."

According to a well-placed source, Crowe is somewhat "intimidated" by his Broadway-esque costars on the set, which currently is being brought to life in London.

Adding to the difficulty is that most of the singing in the film is not being recorded in a studio.

"He is pretty out of his element, which is strange for Russell," an insider told FOXNews.com. "He's costarring with Hugh Jackman and Anne Hathaway, both very experienced musical performers, so this is all very daunting."

A rep for Crowe did not respond to a request for comment. But according to sources, while the task may be tough, Crowe is on his best behavior on set.

"He's easy to work with," the source added.

Universal Pictures gave audiences a sneak peek of what to expect during last week's CinemaCon convention in Las Vegas, showcasing a clip of characters in their lavish costumes, overlaid by Hathaway's rendition of "I Dreamed a Dream" -- and so far, the response has been a big thumbs up.

The Shire's stars fear Channel Ten reality TV show will depict them as bogans

The Shire, Mitch Dean
In it to have fun ... Real;ity TV show The Shire's three main male characters (from left Simon, Mitch and Andy. Picture: Kristi Miller Source: The Daily Telegraph


Rosemarie Lentini, The Daily Telegraph, reports

It looks like Jersey Shore, sounds like Jersey Shore - but, whatever you do, don't confuse it with Jersey Shore.

Three stars of The Shire hit Cronulla's main drag yesterday, to the bemusement of locals worried that the upcoming reality show will depict them as bogans.

Mates Mitch, Andy and Simon - all aged 23 - said they signed up to the controversial Channel 10 series "for a bit of fun", insisting they would never be part of a misrepresentative program.

"People have seen the leaked clips of the show and got the wrong idea. We'd never go on a show that was like Jersey Shore," Mitch said.

"We're having so much fun, hey, and we've got nothing to hide."

But the producers do - the boys were only told yesterday morning that they'd be filming at a surf shop. They didn't know who their fellow stars were.

"They're keeping it well under wraps and not telling us anything. We were told to hand out the phone number of the producer if we get questions," Simon said.

While filming has been under way for a couple of weeks, locals said that yesterday was the first time film crews were spotted on Cronulla St, the main shopping strip.

Shoppers said the six-hour shoot, from 10am to 4pm, involved the boys trying to find a perfect outfit for Andy to wear to a speed dating event. He walked away with a chequered shirt and mustard chinos.

"They were really relaxed in front of the camera, and were asked to say a few lines in situations set up by the crew," one shopper said. "They can say whatever they want but were given direction."

Olivia Newton-John’s Cancer Journey

How the pop star became a tireless activist and health advocate.




By Allan Richter
During a March concert in Australia, Olivia Newton-John cut a defiant figure as she strutted across the Sydney Opera House stage to the feverish Latin rhythms of “Not Gonna Give In to It,” a song she wrote about the breast cancer she beat. With the song’s final note, she thrust her fist in the air.
It was a grand moment that had little to do with the larger-than-life Sydney Philharmonic Orches­tra behind her and everything to do with the contrast between the confident figure onstage and the woman whose cancer once nearly forced her retirement.
Newton-John had just finished treatment for breast cancer in 1992 when she retreated to her home near Byron Bay, at the easternmost point of Australia, to recuperate. The singer was considering retiring when her muses came calling. One was a stranger on the street who was a cancer survivor and uttered a few words of encouragement. The other was song.
“I kept waking up in the middle of the night with these songs in my head,” Newton-John, 63, recalls in an interview. “I would get up and put them down in my tape recorder, and then listened to them back and thought, ‘I want to put them down in some form.’” Those songs, “Not Gonna Give In to It” among them, became her often meditative 1994 album “Gaia: One Woman’s Journey.” “I’m very proud of those songs because they’re very raw,” she says.
In the years that followed, along with embracing music’s therapeutic powers, Newton-John immersed herself in complementary health, both as personal practice and as an activist promoting cancer prevention, early detection and environmental health. They are dynamics that have carried her from the uncertain, introspective period shortly following her breast cancer diagnosis and treatment to the fiercely tenacious health and environmental advocate she has become.
Before she was diagnosed, Newton-John was already doing yoga and meditating. But the diagnosis was a springboard for more. While still under treatment, she met Deepak Chopra, MD, who gave her some more advanced mantras for her meditation. Finding that the mantras helped, she spent time at Chopra’s health center, where the self-help author introduced the singer to the chakras, the seven energy centers of the body that form a core tenet of India’s Ayurvedic medicine, and gave her some Ayurvedic treatments.
Newton-John’s diagnosis was an education in the value of intuition in personal health. The singer had found lumps in her breast before, but the one she found in 1992 felt different. She didn’t feel well, so she returned to the doctor who had examined her earlier lumps. The results of a mammogram were negative. So were the results of a needle biopsy that followed. But Newton-John still didn’t feel right. A surgical biopsy finally revealed the cancer. “I don’t say this in any way to scare anybody,” she says, “it’s just that my intuition was that something was wrong. And I had to trust that.”
Playing all the Angles
Equipped with Chopra’s lessons in the chakras and the confidence gleaned from trusting her senses, Newton-John pursued more complementary treatments. “I really didn’t want to do chemotherapy but decided to do it so I would cover all my bases,” Newton-John recounts. “But I also did acupuncture. After my chemotherapy I did massage. I did homeopathy to boost my immune system. My husband now was a friend then, and he sent me some herbs. I took them, and I swore they made me feel a lot better.
“So that’s why I believe that this experience was not for nothing,” Newton-John says of her illness. “It was a very important experience in my life because it’s made me realize the importance of all these things when you are healing, and to be aware of what you’re eating and to be conscious that your mind is so important in your healing. Keep a positive attitude. Keep a spiritual base of some kind. All these things led me to where I am now.”
Where Newton-John is now is at the center of a cottage industry, much of it non-profit, of health services and products. Some are adorned with a logo spelling “liv,” with the first letter in the shape of a ribbon, the symbol for the fight against breast cancer.
Newton-John opened the Gaia Retreat & Spa in the Bundjalung country hinterland of Byron Bay seven years ago (see sidebar). She developed a heart-shaped breast self-examination device called the Liv, a kind of membrane with a viscous center to help sensitize the hand and more easily detect a lump (www.liv.com). And she just released Livwise: Easy Recipes for a Healthy, Happy Life (Lyons) that features her simple recipes of fresh ingredients, from egg dishes she serves her husband at their Florida home to plates using exotic Australian seeds featured in treatments and meals at Gaia.
New Cancer Center
Sales from the book are earmarked for the crown at the top of these efforts—her Olivia Newton-John Cancer and Wellness Centre, which opens next month at Austin Hospital in Melbourne, after nine years of work and fundraising. Cancer patients will be able to have oncology massage, take a yoga class or engage in music therapy while their loved ones can sip a cup of tea in a soothing environment.
The cancer center that sat at the property earlier was “overcrowded, old, dark and dingy,” Newton-John recalls. The hospital had been shuttling patients with IVs in their arms between buildings because nothing was under one roof. Hospital officials asked the singer if she could help them raise funds. Newton-John dove in, drumming up support at every turn and even helping choose the new cancer center’s warm gray, yellow and beige hues and other design elements.
“One of my criteria when we were designing the new cancer center was that it would have lots of light and that you would be able to see nature,” she says. “Luckily enough the hospital is in an area where you can see the mountains in the distance, and there are trees outside and lots of light. It will be encouraging to health and make you feel good when you go in there. Having been there I know how important that is.”
Newton-John says her busy touring schedule prevents her from having a regular fitness program built around repetitive activities. But she plays tennis, bikes, skips rope and walks.
“It’s usually whatever I can fit in that day,” she says, “but I’ll do something everyday because I don’t feel good if I don’t.”
Newton-John’s penchant for walking turned into a major fundraiser for her cancer center. Four years ago, the singer and some of her celebrity friends, including Cliff Richard and Leeza Gibbons, walked 142 miles over three weeks along the Great Wall of China to raise $2 million for the center. She likens the difficult walk to her battle to overcome breast cancer.
“You didn’t know what was going to happen the next day, but when you had a good day and you felt like you really achieved something it was really powerful and wonderful,” she says. “For me it was really a metaphor for the cancer journey and the people you meet along the way, and ‘can you make it or can’t you?’ and not giving up. A lot of people got the flu on that walk. In fact we had two buses; one was the sick bus and one was the healthy bus. I got sick, but I didn’t give into it. I kept walking. I thought, ‘I’m the leader so I have to keep everyone going. I can’t quit.’”
When she visits Gaia, Newton-John couples yoga with a hot stone massage or a treatment using the essences of nearly 70 Australian wildflowers and grasses as she gazes at sunbathing water dragons and listens to birdsongs. She discovered the property en route to her nearby home to bring her mother Irene’s ashes to her favorite spot under a 150-year-old Morten Bay fig tree. The daughter of physicist Max Born, Newton-John’s mother was a naturalist and photographer whose ferns, magnolias and other botanical images are on display at Gaia.
In addition to the recipes from Gaia, Newton-John’s cookbook includes dishes from nutritionist friends and family meals, such as the tofu rice she fed her daughter Chloe as a child. The recipes reflect Newton-John’s taste for fresh, simple and organic foods. Steamed vegetables, salads and grilled fish and chicken are favorites. To supplement her diet, she takes CoQ10, vitamin B6, plant-based omega-3 oil, or fish oil if she doesn’t have fish that day, as well as her herbalist husband John Easterling’s green algae and liver cleanse mixtures.
Because personal and environmental health are connected, Newton-John says, she became a spokesperson for the Colette Chuda Environmental Fund, named for her friends’ daughter who died at age five. The group, now named Healthy Child, Healthy World, educates parents to identify non-toxic household cleaners and other products. Conscious of what she buys for her own home, Newton-John says she uses household cleaners with natural ingredients such as tea tree oil.
“We’re all living beings,” Newton-John says, explaining her environmental activism. “We’re all breathing the same air. The air that I breathe, somebody in Tibet might have breathed yesterday. Joan of Arc may have breathed that air hundreds of years ago. We’re all totally connected.”
That sense of linkage is a theme of her song “Pearls on a Chain,” from her 2006 album “Grace and Gratitude.” “Every day my sunrise/will dawn where you are/Every night we sleep/underneath the same stars,” she co-wrote with album producer Amy Sky.
Music’s Healing Power
Newton-John is also an actor, most famously in the hit movie musical “Grease” and most recently in the comedy “A Few Best Men,” in which her character wreaks havoc at her daughter’s wedding. But music has been her biggest nourishment. Most of her early hits were written by others, but she has penned autobiographical songs since her breast cancer diagnosis.
Her album themes coincide with sad and happy episodes in her life. Last year, for instance, she released “Grace and Gratitude Renewed,” an update of her 2006 album, with two new songs, in part to reflect happier circumstances than the original was written in. “Grace and Gratitude” was originally dedicated to her second husband, believed to have disappeared in a boating incident.
“Music is my way of healing myself,” she says. “Even in really difficult times in my life when I thought I wasn’t going to be able to tour or whatever I had kind of a deep knowing that I should do it. I remember being in despair a few times, and a little voice inside would say, ‘Go sing. Go do it.’ I would do it, and it would really help me heal.”
Newton-John’s candor resonates with her fans. At Newton-John’s Sydney Opera House concert, Luke Brighty said he attended his first Newton-John concert in 1999. “I was inspired,” said Brighty, 45, a Sydney photographer, adding that Newton-John’s cancer diagnosis and music helped him cope with a family member’s non-Hodgkins lymphoma.
Newton-John’s concert is a crowd-pleasing showcase of her biggest hits: a “Grease” medley and numbers like “Physical” (a song that provided the soundtrack to the 1980s fitness craze) and “Have You Never Been Mellow?” When that latter song was released in 1975, Newton-John’s vocals were sultry and innocent and exposed vulnerability. A generation later onstage in Sydney, the song and its singer were as decisive and certain as Newton-John’s victory over breast cancer.

Aussie Wellness at
Gaia Retreat

Like the taste of the Gaia Retreat & Spa’s dahl, a delicious, hearty lentil dish, the wintergreen and eucalyptus scent in the retreat’s steamrooms is soft and subtle. The better to slowly take in this well-appointed retreat set on 25 acres at the highest point of its shire. Gaia may have celebrity allure from its famous owner, but its star is clearly its setting and endless breathtaking vistas. You can take in some of these exhilarating views in any number of Gaia activities: a massage on a day bed; a ceremonial gathering on rocks that evoke Stonehenge spirituality; along a mile-long walking track; or on a stroll to the hilltop yoga room. Or you can gaze at the ocean as you let the call of cows from distant farms punctuate the silence.



The retreat features global touches like the aforementioned Indian dahl and Asian ornaments in its Kukura House, a Samoan-style central meeting point, but Gaia is a decidedly Australian experience in which you can have native wines with dinner after you’ve melted into Gaia’s signature body polish. Set in a steamroom, the treatment alternates between bursts of steam to open the pores, and exfoliations of nourishing wattleseed and local sugar that forms a laquer from the heat of your skin. The mix is combined with omega-3-rich macadamia oil, with properties similar to those of the sebum, creating a “natural affinity” between the oil and skin, says Naomi Quarrell, Gaia’s affable day spa manager. Like Gaia, with flora, sculptures and fountains that dot the property, the treatment is full of many more surprises. For embracing Australian nature, Gaia should be as essential a stop as the Great Barrier Reef.
Visit www.gaiaretreat.com.au.

No love lost in this foreign affair

Jersey Boys
From left, cast members Stephen Mahy, Scott Johnson, Bobby Fox and Glaston Toft from Jersey Boys. Picture: Jeff Busby. Source: Supplied


Matthew Westwood, The Australian, reports

The show must go on, but given the angst over bringing foreign artists to these shores, you sometimes wonder that the curtain ever goes up. Jersey Boys, the hit musical about Frankie Valli and the Four Seasons, with a great Australian cast, almost came to grief during its Sydney run when five actors left the company or went on leave.

To avoid running the show without a prudent number of leads and covers, producer Rodney Rigby attempted to cast Australian actors in the roles. When that wasn't possible, he approached Equity - the actors' union, part of the Media, Entertainment and Arts Alliance - about importing two foreign actors. "The union simply rejected our proposal," Rigby says.

As the song goes, Rigby decided to walk like a man. He applied to the Department of Immigration and Citizenship - which requires productions with foreign artists to have a net employment benefit - to bring in two actors who had worked on Jersey Boys in North America.

His frustration is palpable: "The choice of artists, to maintain the standard of our production for our audience, is paramount," he says. "We won't compromise on those issues, nor do we want any union or outside party determining artistic merit."

Here's another dimension to the foreign artists debate. Noni Hazlehurst won an AFI award for her role as Cate Blanchett's mum, Janelle, in Rowan Woods's gritty drama Little Fish about drug addiction in Sydney. But she could have missed out on the role and the award because, she says, the producers wanted a big-name foreign actress. "It would have been nonsensical to have had someone American or British," Hazlehurst says. "If Australian actors are only relegated to moths around a flame, we're losing cultural exactitude ... It doesn't have that authenticity."

The vexed issue of foreigners in the performing arts is similar to the bigger debate around protection for local industry. The MEAA wants to secure jobs for Australian actors, singers, dancers and musicians and build a sustainable talent pool. Producers want to go about their business unimpeded and employ foreign artists as they see fit.

During the past two decades the entertainment sector has boomed and the use of foreign performers has been managed through an agreement between industry body Live Performance Australia and the MEAA.

Something has broken. Last month LPA - representing subsidised and commercial producers - tore up its agreement with the MEAA. From June 25, says LPA president Andrew Kay, the union will no longer have veto over casting decisions.

The MEAA has since had shop floor meetings with actors across the country, from the cast of Under Milk Wood, in rehearsal at Sydney Theatre Company, to the Mary Poppins company now in Perth. The union says it will oppose unrestricted use of overseas artists.

The standoff comes at a critical juncture as officials grapple with guidelines on foreign actors, musicians and performers. In the film and television sector, discussions about updating the Foreign Performers Certification Scheme - in place since the early 1990s - appear to have stalled amid protests by actors last year.

In the music world, a plan floated by former arts minister Peter Garrett called the Foreign Music Acts Certification Scheme - requiring tour promoters to hire Australian support acts for international bands - went nowhere.

And Opera Australia artistic director Lyndon Terracini told The Australian's Opera 2012 roundtable discussion last month that he wanted to end the quota of 10 foreign singers a year, and hire up to 20.

In the subsidised not-for-profit sector - which includes the national opera and ballet companies - it makes sense that artists developed to maturity with support from the public purse have opportunities to perform, and that taxpayers get to see them.

In this way, OA and the Australian Ballet have become vital companies with strong ensembles of local artists. Open the floodgates to foreigners, the argument goes, and there is no incentive for Australians to stay.

"It is impossible to run an international career from Australia," artist manager Patrick Togher says. "The imported artists' agreement protects the livelihoods of singers who make their homes here. Drop the quota and they will all have to pack suitcases."

The discussion is not only about protecting jobs. Audiences want to see international stars. The ballet periodically invites international guests to Australia - often with the blessing of its dancers - and says the foreign glamour and experience they bring is good for the company.

And OA would not be able to cast its Ring cycle next year without some foreign singers, so rare are experienced Wagnerians in those difficult roles.

The industry agreements on foreign artists date back to the early 90s and some well-publicised instances of foreign casting, including a production of South Pacific.

In recent years, though, it has become rare to see foreigners on the musical stage. We're likelier to find terrific local talent, such as Amanda Harrison and Ben Mingay, the leads in An Officer and a Gentleman opening in Sydney this month.

Indeed, LPA figures show that during the past five years, almost every musical - from Billy Elliot to Wicked and Love Never Dies - has been cast entirely with Australian actors, apart from short-term replacements.

Rigby, who is producing the Australian premiere of The Addams Family in Sydney next year, says he intends to cast Australian actors wherever possible.

"It's an old-fashioned notion," he says, "but Australians like seeing Australians on stage, and when they get an opportunity they like seeing an international star on stage as well."

Part of the frustration with the LPA-MEAA agreement, for commercial producers, was the restriction on them touring foreign shows. Festivals and art centres were not party to the agreement, and this allowed the Sydney Opera House, for example, to program the Broadway drama This is Our Youth, with Michael Cera. Commercial producers want a bigger piece of the action.

It's clear that 20-year-old agreements need to keep pace with the needs of modern show business. But despite LPA assurances that nothing will change - the industry remains bound by the migration regulations, which require union consultation - the accord between producers and performers has ended badly. In a business that thrives on a spirit of collaboration, it points to a breakdown of trust.

Benji Madden tips brother Joel's Team to win Channel Nine's The Voice

Team Joel, The Voice
Brothers united ... Joel and Benji Madden with Team Joel in Channel Nine's The Voice. Picture: Channel 9 Source: Supplied


The Daily Telegraph reports

Benji Madden is calling it early - Team Joel will win the inaugural season of The Voice.

The Good Charlotte brothers team up again tonight for the battle rounds, with Benji fitting in his filming and mentoring duties between songwriting sessions with Reece Mastin and Tonight Alive.

While the mentor wouldn't nominate which of his coach's contestants would go all the way, he said "Joel's great eye and ear for talent" put him in the front running.

Benji no doubt has been keeping on eye on the social media feeds in which his brother's enthusiastic performance as a coach is winning him even more fans here.

"I'm loving watching Joel do his thing, on his own being a coach. I am not sure I could give people the same experience," Benji said.

"I know we are twins but to know Joel is to like Joel."

With his brother's family heading back to Australia for the live shows in a couple of weeks, Benji will no doubt join them to continue working on their side project, the Madden Brothers: "Yeah, we've been working on that band name all our lives, we had to earn that name. You can't just go out there and call yourselves the Madden Brothers," he joked.

As for fears expressed by father-in-law Lionel Richie last week that Joel would permanently relocate his family to Australia, Benji said the brothers "would always spend a good amount of time here".

"It might be easier to have a residence and something from the Australian government where we can just come and go," he said, laughing.

Revenge co-stars Emily VanCamp and Josh Bowman hold hands as they see Super Rugby match between Waratahs and Crusaders

Emily VanCamp, Josh Bowman
On and off-screen lovers ... Revenge co-stars Emily VanCamp and Josh Bowman hand-in-hand as they head to watch NSW Waratahs play Canterbury Crusaders in a Super Rugby match in Sydney. Picture: Big Australia Source: Supplied


Holly Byrnes, The Daily Telegraph, reports

It’s one of the hottest and most talked-about romances in Hollywood - and one which we weren't supposed to broach on their PR visit to Sydney this week.

But this picture confirms rumours that on-screen Revenge co-stars and lovers Emily VanCamp and Josh Bowman have taken their romance off-screen.

While the pair refused to discuss the relationship with media yesterday, the couple cosied up on their way to the weekend Super Rugby match between the NSW Waratahs and Canterbury Crusaders - not the usual tourist trail for actors but a must-see for Bowman, a former professional player with UK club side Saracens, who was forced out of the game - and into acting - by an injury at the age of 19.

The heartthrob caught up with fellow Pom and now released Melbourne Rebels bad boy Danny Cipriani - in fact they share an uncanny resemblance.

Sunday lunch at Rose Bay's Catalina restaurant would have been more to VanCamp's taste, after jetting in direct from another press junket in Japan.

The reel-to-real lovebirds are locked in to another day of interviews today, before seeing the sights with VanCamp's Tokyo-based big sister and her husband on a four-day stay.